In version 1.1 of the ProFont distribution, ProFont ceased being just a 9 point bitmap font. Carl Osterwald contributed bitmaps at several larger sizes and an outline version of ProFont in both TrueType and Adobe Type 1 (ATM) formats.
In version 1.2 of the ProFont distribution, Carl extended ProFont to include the entire Macintosh character set including accented characters with ASCII codes from 0x80 to 0xFF.
In version 2.0 of the ProFont distribution, Carl provided an ISOLatin1 encoded version of ProFont. The shapes of several of the characters have been modified for improved readability, and a 7 pt bitmap version of ProFont is included.
In version 2.2 of the ProFont distribution, Carl produced a version of ProFont that uses the Windows character set. Once again the shapes of several of the characters have been modified for improved readability--especially when the fonts are anti-aliased.
ProFont was originally released as shareware by Andrew Welch. At that time, it was distributed inside an installer application which could replace Apple’s Monaco 9 with ProFont 9. This made using ProFont as a substitute for Monaco 9 very easy. When the Mac II and SE came out, the magic used by the original installer became ineffective. Over the years I (Steve Gilardi) have figured out how to install ProFont 9 in place of Monaco 9 through the various releases of the System Software. After a time I asked Andrew for permission to distribute ProFont along with my instructions and he agreed and also decided to change ProFont’s status from shareware to freeware.
The methods for accomplishing the substitution for Monaco 9 have gone through significant changes over the years as the Macintosh font architecture has evolved. The various releases of what has become the “ProFont Distribution” have been my effort to share my knowledge of how to use ProFont as a replacement for Monaco 9.
Since Carl Osterwald became involved with the project, ProFont has blossomed into a full-fledged font in its own right and most recently into a suite of related fonts. ProFont is unusual among fonts in that the outline version was designed to closely follow the original 9 pt bitmap version. More often, fonts are conceived as outlines and then rendered at the various point sizes.
Earlier versions of the ProFont Distribution have included very involved instructions and utility programs to allow installation of ProFont as a replacement for Monaco 9. Release 2.2 contains none of those instructions. Instead, I have developed a control panel called “Monaco Tuner” which allows you to substitute a font of your choosing for Monaco. The substitution can be just for Monaco 9 or for all sizes of Monaco. Of course, I think the best substitute font to use is ProFont! See the information in the “Monaco Tuner 1.1.1 ƒ” folder for details.
Also, each font folder in the ProFont distribution contains a file showing the font’s character set at 9 and 18 point sizes. You don’t need to install the corresponding font to see the character set.
ProFontClassic 1.2 is the 9 pt size of ProFont from the 1.2 release of the ProFont distribution. It’s included mainly for those who prefer the look of ProFont 1.2 to that of ProFont 2.2 and who are only interested in substituting ProFontClassic for Monaco 9 using Monaco Tuner.
Version 2.2 of the “ProFontWindows” font. This is the first release of this font, but it is version 2.2 to keep its version number in sync with that of the “ProFont” font. TrueType and ATM versions of ProFontWindows are included. This font can be useful for viewing files that originate on Windows machines.
“Monaco Tuner” is a control panel which replaces the complicated instructions for installing “ProFont(Monaco)” included in previous releases. It lets you pick a font (such as ProFont) to be substituted for Monaco in all applications. See the file “About Monaco Tuner” inside this folder for details.
The family of ProFont fonts are standard Macintosh fonts and should work on any Macintosh (or compatible) running any version of System 7 or Mac OS 8. The fonts may be compatible with System 6.0.8, but that has not been tested. Monaco Tuner requires System 7 or better and has been tested on several machines including a PowerBook 100 running System 7.0.1 and a PowerMac 8100/100 running System 7.5.3 and Mac OS 8 with and without QuickDraw GX.
“ProFont Distribution” is provided in the hope that it will be useful. However, it is provided AS IS and carries NO WARRANTY that it will do anything good and NO WARRANTY that it will not do anything bad. Your use of the fonts and software that make up “ProFont Distribution” is ENTIRELY AT YOUR OWN RISK. SQ Software, Stephen C. Gilardi, Carl R. Osterwald and Tobias Jung hereby disclaim any and all liability for any difficulty you may have as a result of using any part of “ProFont Distribution”. If these terms are not acceptable to you, then you must not use any part of “ProFont Distribution”.
That being said, if you do have any difficulties or any suggestions, I’ll be very appreciative if you let me know about them so I can attempt to improve future releases of ProFont Distribution.
The various versions of ProFont included in this release are standard Macintosh fonts. You install them into any version of System 7 or Mac OS 8 by dragging the font suitcase containing the font you want to install onto the System Folder icon on your startup disk.
“ProFont 2.2”, “ProFontISOLatin1 2.2”, and “ProFontWindows 2.2” also include ATM versions. Since the System Software prefers TrueType fonts to ATM fonts, special suitcases are included in the distribution which do not contain the TrueType outline version of the font. These suitcases and the corresponding PostScript font files are inside a folder called “ATM Version” within each font’s folder. To install the ATM version of one of these fonts, drag the two files contained in its “ATM Version” folder onto the System Folder icon on your startup disk.
Note: During testing it was discovered that some internal tables in “ProFontISOLatin1” suitcase can be damaged if you use the Finder to remove the TrueType version by dragging it out of the suitcase. Fortunately, you don’t need to do that because ProFont Distribution includes the suitcase called “ProFontISOLatin1 Bitmaps” which is does not contain the TrueType version. As the instructions above indicate, please use the “ProFontISOLatin1 Bitmaps” suitcase if you want to use ProFontISOLatin1 with ATM.
The original “ProFont” was created by Andrew Welch. It was originally shareware. Andrew generously gave his permission for it to be distributed freely: “let’s make it free though [...] just credit me for making the font in the first place, and you’re good to go!” Andrew’s ProFont 9 font is no longer distributed in the ProFont Distribution, but the fonts included in ProFont Distribution 2.2 are based on it.
The fonts included in ProFont Distribution 2.2 were created by Carl Osterwald. Carl created the outline versions of ProFont and implemented the Macintosh Extended ASCII Character Set for all versions of ProFont. Most recently Carl created the ProFontWindows font and did the modifications of the character shapes for ProFont 2.2. Please send praise, comments, etc., about the fonts in “ProFont Distribution 2.2” to him.
I am the author of the “modern” (post Mac II/Mac SE era) ProFont distributions. I have gotten ProFont to work with successive System releases for my personal use, and have shared the methods with other folks from time to time through these distributions. Most recently I developed the “Monaco Tuner” control panel to ease the use of ProFont as a replacement for Monaco 9. Please send comments, suggestions, and questions about Monaco Tuner, ProFont in general, or the ProFont Distribution as a whole to me.
